Naturally drawn to irregular exhibition spaces that expose art to a wide array of people, What Goes Around Comes Around serves as an excellent platform for the artist herself to be exposed to other artists' processes of making. Rather than physically reacting to the space that each phase poses, Fisher will just be around, taking it in. Simultaneously integrating herself into the communal qualities of this exhibition and segregating herself by focusing on the durational installation: lately I've been wondering if you feel it too.
Tuesday, 5 July 2011
lately I've been wondering if you feel it too
Melissa Fisher presents an ongoing window installation at XPACE, running the duration  of What Goes Around Comes Around :
Naturally drawn to irregular exhibition spaces that expose art to a wide array of people, What Goes Around Comes Around serves as an excellent platform for the artist herself to be exposed to other artists' processes of making. Rather than physically reacting to the space that each phase poses, Fisher will just be around, taking it in. Simultaneously integrating herself into the communal qualities of this exhibition and segregating herself by focusing on the durational installation: lately I've been wondering if you feel it too.
Naturally drawn to irregular exhibition spaces that expose art to a wide array of people, What Goes Around Comes Around serves as an excellent platform for the artist herself to be exposed to other artists' processes of making. Rather than physically reacting to the space that each phase poses, Fisher will just be around, taking it in. Simultaneously integrating herself into the communal qualities of this exhibition and segregating herself by focusing on the durational installation: lately I've been wondering if you feel it too.
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